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Index « Teeft.i » - entrée « Seventeenth century »
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Seventeenth centuries < Seventeenth century < Seventeenth century italian opera  Facettes :

List of bibliographic references indexed by Seventeenth century

Number of relevant bibliographic references: 57.
[0-50] [0 - 20][0 - 50][50-56][50-70]
Ident.Authors (with country if any)Title
000004 (2013) Peter Milward [Japon]Book Reviews -
000011 (2011) Mattias LundbergThe Proper of the Mass in Sixteenth- and Early-Seventeenth-Century Lutheran Liturgies and its Relationships with Other Types of De Tempore Cycle
000018 (2011) Matthew Hale ; Graham Raymond ; Catherine WrightList of publications on the economic and social history of Great Britain and Ireland published in 2010
000029 (2011) Kerry MccarthyByrd and the Mass Proper Tradition
000066 (2009) Microform Reviews
000088 (2008) Leslie C. Dunn [États-Unis]Recent Studies in Poetry and Music of the English Renaissance (1986–2007)
000110 (2006) Hugh BenhamWilliam Byrd’s Modal Practice. By John Harley. pp. xii + 162. (Ashgate, Aldershot and Burlington, Vt., 2005. £45. ISBN 0-7546-3441-8.)
000138 (2005) John MorehenThomas East and Music Publishing in Renaissance England. By Jeremy L. Smith. pp. 233. (Oxford University Press, New York and Oxford, 2003, £45. ISBN 0-19-5139054.)
000149 (2005) Notes to Contributors
000160 (2005) Owen Rees [Royaume-Uni]Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850
000167 (2004) Book Reviews
000193 (2003) Alan Day [Royaume-Uni] ; Frank Cogliano [Royaume-Uni] ; Robert Mason [Royaume-Uni] ; Jonathan Vance ; Rebecca Earle ; Kenneth MorganXI The Americas
000196 (2003) David PaiseyGerman Book Fair Catalogues
000202 (2002) James RobertsonRe‐writing the English Conquest of Jamaica in the Late Seventeenth Century
000227 (2001) Alexandra WilsonREVIEWS OF BOOKS
000230 (2001) John McclellandREVIEWS OF BOOKS
000232 (2001) Suzanne AspdenREVIEWS OF BOOKS
000251 (2001) Noel O'Regan [Royaume-Uni]HISTORIES OF RENAISSANCE MUSIC FOR A NEW CENTURY
000253 (2001) Ruby Reid ThompsonFRANCIS TREGIAN THE YOUNGER AS MUSIC COPYIST: A LEGEND AND AN ALTERNATIVE VIEW
000257 (2001) Stephen PressDIAGHILEV AND THE TWO VERSIONS OF PROKOFIEV‘S ’CHOUT‘
000306 (1998) Books reviewed
000323 (1997) John Harper“One equal music”: the Music of Milton's Youth
000327 (1996) Robert Shay‘NATURALIZING’ PALESTRINA AND CARISSIMI IN LATE SEVENTEENTH-CENTURY OXFORD: HENRY ALDRICH AND HIS RECOMPOSITIONS
000329 (1996) John MilsomTALLIS, BYRD AND THE ‘INCORRECTED COPY’: SOME CAUTIONARY NOTES FOR EDITORS OF EARLY MUSIC PRINTED FROM MOVABLE TYPE
000340 (1996) Keith Mason ; George Sheppard ; John Kentleton ; Rebecca Earle ; Guy ThomsonThe Americas
000388 (1992) Lydia HamessleyTHE TENBURY AND ELLESMERE PARTBOOKS: NEW FINDINGS ON MANUSCRIPT COMPILATION AND EXCHANGE, AND THE RECEPTION OF THE ITALIAN MADRIGAL IN ELIZABETHAN ENGLAND
000414 (1990) John IrvingTHOMAS TOMKINS'S COPY OF MORLEY'S ‘A PLAIN AND EASY INTRODUCTION TO PRACTICAL MUSIC’
000418 (1990) Index
000422 (1990) Reviews
000462 (1987) REVIEWS OF BOOKS
000471 (1986) Louise SchleinerRECENT STUDIES IN POETRY AND MUSIC OF THE ENGLISH RENAISSANCE
000480 (1984) Peter Williams‘THE ORGAN MUSIC OF J. S. BACH’
000481 (1984) Philip Brett [États-Unis]‘ITALIAN MADRIGALS ENGLISHED’
000484 (1984) Andrew Hughes [Canada]RHYMED OFFICES
000495 (1984) F. W. Sternfeld [Royaume-Uni]JEAN JACQUET
000565 (1979) A Panoply of Medieval, Renaissance: Instruments for and Baroque Music
000569 (1978) Nicholas KenyonThe Early Music Gazette
000624 (1974) David LindleyReviews
000634 (1974) Elias DannThe Glory of the Violin
000643 (1973) BOOKS OF INTEREST
000650 (1971) Thomas DayA RENAISSANCE REVIVAL IN EIGHTEENTH-CENTURY ENGLAND
000657 (1970) Jack P. GreeneSearch for Identity: An Interpretation of the Meaning of Selected Patterns of Social Response in Eighteenth-Century America
000674 (1968) Topical Index
000732 (1958) REVIEWS AND SHORT NOTICES
000734 (1957) Thurston DartLORD HERBERT OF CHERBURY'S LUTE-BOOK
000759 (1954) Thurston DartNEW SOURCES OF VIRGINAL MUSIC
000795 (1948) Hugh M. MillerHENRY PURCELL AND THE GROUND BASS
000798 (1947) Ernst H. MeyerCORRESPONDENCE
000810 (1943) J. A. WestrupWILLIAM BYRD (1543–1623)
000830 (1939) Bruce PattisonNOTES ON EARLY MUSIC PRINTING
000848 (1936) Charles Sanford TerryJOHN FORBES'S “SONGS AND FANCIES”

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